According to Wikipedia, Jon Savage “is an English writer, broadcaster and music journalist, best known for his book about the Sex Pistols and punk music, England's Dreaming”.He has also written a lengthy and very detailed book called Teenage: the creation of youth 1875 - 1945, and in this episode Owen Kelly looks at that, and points to some of the many interesting and useful connections and examples that Savage has dug up.The blurb on the back of the book says that “Savage fuses popular culture, politics, and social history into a stunning chronicle of modern life”. Certainly it provides a mass of detailed examples drawn from an extraordinarily wide range of sources, that will provide many surprises for everyone who has not spent the last decade reading exactly the same sources as Jon Savage.

Oh look its the fifth Friday of August. That must mean its time for another episode of Friday Number 5!At the end of January we started another irregular series of Radio Miaaw: podcasts of music issued under Creative Commons licences; a theme we last explored four years ago.This month we have another unexpected surprise. We have found Faircamp, which aims to achieve something similar to Bandcamp, without any corporate shennanigans. If you want to distribute your music online then you can download as a free open-source software. It allows you to create your own website in fifteen or so minutes, with no previous experience.More interestingly, the website has a web ring built into it, so you join a community as soon as you put your site online.In this episode we explain what a webring is, and then dive into some of the music available on the Faircamp webring. In the time available we barely touch the surface.

On episode 55 of A Culture of Possibility, Arlene Goldbard and François Matarasso host muralists Amber Hansen and Reyna Hernandez, who were the first interviewees on the podcast! Following on Episode 54, in which Jeff Chang detailed the censorship of his book by the US Department of Defense, Amber and Reyna talked about the more local or subtle forms of pressure to censor or self-censor, such as agencies that commission community murals and then withdraw because they don’t like the subject matter. When and how is expression limited by those in power and when and how is artists’ work shaped by considerations or controversy or empathy?

Miriam Toews is a Canadian author, and Fight Night is her seventh novel. It tells the story of a grandmother, a pregnant mother, and her young daughter who find themselves living together as an intergenerational family while having to cope with life-changing situations.It reads as a comedy and a commentary. It feels hilarious and deeply moving.Owen Kelly suggests reasons why you should find a copy and add it to your holiday reading.

On episode 54 of A Culture of Possibility, Arlene Goldbard and François Matarasso interview author Jeff Chang, known for his books on cultural subjects including hip-hop, race and racism, and Asian Americans. In May, Jeff posted to his Substack an account of how the Defense Department had removed his book, Can't Stop Won't Stop: A Hip Hop History, written for young adults, from schools on US military bases around the world. The reasons given were Trump’s executive orders banning accounts of racism, gender and sexuality, and other such topics. Jeff joins us to tell the story and talk about what it means for the future of free expression and diversity.

In this episode Sophie Hope talks to artist, researcher and teacher Anthony Schrag about a symposium he organised on 9 May 2025 at Queen Margaret University in Edinburgh.The symposium, entitled Getting it right/Getting it wrong: Socially Engaged Art and Ethics was supported by Paul Mellon Centre for Studies in British Art. Sophie attended the symposium and in this discussion she and Anthony reflect on some of the discussions that they took part in during the event. They reflect on what ethics means to practitioners and their practice, and to assessors and onlookers.

On Episode 53 of A Culture of Possibility, “Money Changes Everything,” Arlene Goldbard and François Matarasso talk about funding for community-based art and cultural democracy in light of the two previous episodes featuring funders from the UK and US. What’s happening? What does it all mean? Where can we go from here?

According to Wikipedia “Iain McGilchrist's 2009 work, The Master and His Emissary has sold over 200,000 copies worldwide. It sought to consolidate research in brain lateralisation and to insist on the individual and cultural importance of the bi-hemisphere structure of the brain”. McGilchrist suggests that “we have become entranced by the version of the world brought into being by the left hemisphere and forgotten the insights produced by the right”.His publishers persuaded him to write a very short book, Ways of Attending, which took the main arguments of his larger, more complex and more technical work, and rewrote them as an extended essay for interested lay-people.In this episode Owen Kelly looks at some of these arguments, quoting from Ways of Attending and McGilchrist’s other published extended essay, The Divided Brain.