In this episode, Sophie Hope talks to Koh Hui Ling and Han Xuemei, co-artistic directors of the socially-engaged theatre company Drama Box in Singapore. "Founded in 1990, by Kok Heng Leun, Drama Box is a socially-engaged theatre company known for creating works that inspire dialogue, reflection and change. By shining a spotlight on marginalised narratives and making space for the communal contemplation of complex issues, it seeks to tell stories that provoke a deeper understanding of Singapore's culture, history and identity".
They discuss the nature of the organisation, its different aspects and projects, and their involvement in ICAF. They also reflect on the discussion about theatre of the oppressed during the panels they hosted in Rotterdam, and find out about their current work with young people and residents of a newly developed housing estate.

On Culture of Possibility podcast #29, listen to François Matarasso and Arlene Goldbard interview members of TEAM from National Theatre Wales.
We talk with Natasha Borton, Anastacia Ackers, and Naomi Chiffi about two multi-year community projects: one in Wrexham and one in Pembrokeshire. These unfolded during COVID and engaged many hundreds of community members. One focused on nature and the environment, while the other focused on issues surrounding homelessness.
Both François and Arlene believe we can all learn a lot from the process they describe.

In early 2005, Pixelache Festival co-directors Juha Huuskonen & Petri Lievonen invited a representative of the young Wikimedia Foundation — Florence Devouard, from Paris, France — who came to present to Finnish electronic arts and sub-cultural practitioners, producers, and IT enthusiasts, entrepreneurs and media design students, the new WikiWiki way of open knowledge production. For the occasion, Pixelache had a Wikipedia page made in 2005 in Finnish.
Today it is still there, in one language, and the narrative stops in 2005.
In 2022 Pixelache began a process of renewing connections in the context of the long-term model of Wikimedians-in-residence that has been developed by the Wikimedia Foundation. The first stage of this concluded in March 2023 with the publication of 3 podcasts.
In this episode Andrew Gryf Paterson talks to Owen Kelly about the history of Pixelache’s involvement with Wikimedia, the idea of auto-archiving, various attempts to address Pixelache’s needs for archiving cultural activity as a core part of the activity itself, and the possibilities he believes lie ahead of us.

Owen Kelly has written a new book called Cultural Democracy Now, and Routledge published it at the start of the year. According to the blurb, while positioning “cultural democracy in a historical context and in a context of adjacent movements such as the creative commons, open source movement, and maker movement, this book goes back to first principles and asks what personhood means in the twenty-first century, what cultural democracy means, why we should want it, and how we can work towards it … It combines theory and practice with a view to inciting both thought and action.”
In this episode Sophie Hope talks to Owen Kelly about why he wrote it, why it has three quite different sections, and what he hopes will result from its publication. He answers with varying degrees of coherence.

Charlie Fox and Chloé Mazzani presented a project that they are currently working on at a session at ICAF that looked at four of the practical outcomes of the Faro Convention. The project springs from concern for the health of the river running through Marseilles, and during their presentation they discussed the idea of the river as a non-human living entity that can heal itself but can never return to a pristine state of grace.
In this episode Owen Kelly talks with Charlie Fox about issues of culture, democracy, and the relationships between people and the non-human that from the perspective of the Marseilles River Project.
They discuss work of the work of les Collectif des Gammares; and the need for humility and a recognition that we live inside the natural world, as one part of it, as opposed to the hubris often involved in trying to fix desperate situations that we ourselves have caused.

In Episode 28 of A Culture of Possibility, François Matarasso and Arlene Goldbard talk with Ben Fink and Kate Fowler about the new two-volume publication from Roadside Theater in Appalachia, Art in A Democracy, comprising play scripts and commentary from this stellar community-based theater’s history in Appalachian coal country and beyond, 1975-2000.
We touch on the need for sharing learning, generation-to-generation; the impact of changes in public funding that impose scarcity and competition; the obstacles capitalism places in the path of cultural democracy; and more.

Russell Southwood worked as a journalist before becoming one of the three founders of Comedia. He later founded the consultancy and research practice, Balancing Act, which has focused on telecoms, internet and media in sub-Saharan Africa over the last 20 years. He has previously written Less Walk, More Talk - How Celtel and the Mobile Phone Changed Africa, and with Kelly Wong, Building a Data Ecosystem for Food Security and Sustainability, Agtech V3.0.
In this episode he talks with Owen Kelly about his recent book Africa 2.0 which, its publisher says, “provides an important history of how two technologies - mobile calling and internet - were made available to millions of sub-Saharan Africans, and the impact they have had on their lives. … It analyses how the mobile phone fundamentally changed communications in sub-Saharan Africa and the ways Africans have made these technologies part of their lives, opening up a very different future”.

In 2016 five cultural workers felt frustrated by collaborative working. They wanted a tool to openly and critically talk about process. From an initial spark of inspiration they created Cards on the Table, a card game designed to help people have potentially awkward conversations about a collaborative process they had just been through.
Sophie Hope was one of those cultural workers and she went on to develop the game with Henry Mulhall. Owen Kelly talks to them about how it works, whether it works, and what plans they have for it in the future.